Method of working

My method of working does vary, but generally I like to work on several canvasses at any one time on the studio floor. Some of my paintings are the result of a carefully planned idea, whilst others are more experimental.

The background is nearly always worked on first by pouring diluted oil paint and wood dye over the canvas. I then watch as it merges and separates. This is the fun part of the painting as I can play around with the medium and see what is formed naturally. Going with the flow I work quickly and instinctively, hovering between control and spontaneity.

Brushes, rollers, rags and wire mesh are just some of the tools I use to create interesting effects on the surface of my paintings. I have also been experimenting with the reflective properties of gold leaf/metallic paint to add another dimension to the work.

Once I am happy with the finished background, I place the canvas on the easel to work carefully on the figure/figures. This can be done in 2 ways. I either highlight the form of a figure by using white spirit to rub away some of the background colour, or I simply use oils to paint in the figure.